European University Institute Bodies across borders: oral and visual memory in Europe and beyond
Bodies across borders: oral and visual memory in Europe and beyond

27-28 April 2017 – Dissonant Heritages Contestation of Meanings and Uses of Memory in Today´s Europe Workshop

Heritage is an ongoing process of negotiation and contestation of the meanings of the past considered important for the present. Relations among different actors and communities in the processes and practices of heritage are not always cooperative and harmonious, but contested and competitive. With the concept of dissonant heritage Turnbridge and Ashworth (1996) have referred to heritages that include a discordance of different stories and a lack of agreement and consistency in the way the past is represented and memories used in public spheres. The aim of the workshop is to show that Europe does not have one heritage, rather a plurality of traditions, within which contradictions and ruptures of social, cultural and political nature have been present in different times and places. The intent is to contribute to an erosion of Europe’s cultural heritages from within, studying the multiform developments of a fractured past (Milton) from the point of view of cultural history.
In the workshop, the dissonances between different heritages (as well as the internal ones) will be discussed in relation to a variety of topics central to the two ERC projects conveners of the meeting. Such are: East–West and center–periphery divisions of Europe, internal and external border-making and border-crossing in Europe, Europe´s colonial past and its post-colonial criticism, migrant and post-migrant experiences, narration and re-narration of Europe´s conflictual past, and the production of the idea of a European heritage and identity in ‘authorized heritage discourses’ (Smith 2006). Heritage is approached in the workshop as a ‘memory complex’, an assemblage of practices, affects and physical things (Macdonald 2013), that brings to attention the contestation of identities, feelings of belonging, and remembering the past in today´s Europe. This perspective emphasizes the relevance of forms of embodied memory against the often de-materialized dominant notions of archive, heritage and patrimoine culturel.
Programme

22-24 February 2017 – Block Seminar “1968 Across the Iron Curtain”

This workshop is a case study of simultaneous events that shaped our world in entangled ways. While we remember 1968 as the moment of liberating, though non-accomplished, student revolutions in France and the US, this year also saw the Soviet invasion in Czechoslovakia. The year marked the turning point in the Vietnam war and, arguably, in the Cold War as well. Richard Nixon was elected the president of the US, and Leonid Brezhnev consolidated his power over the USSR. Martin Luther King was shot dead in Memphis, and Andrej Siniavsky was serving in a forced labor camp in Mordovia. Yale University announced it was going to admit women. Using the new language of human rights, Russian and Ukrainian dissidents started their struggle with the Soviet regime. From Brazil to Italy, protest movements shook the world but mostly failed to change the governments. Led Zeppelin started performances, and the Beatles sang “Back in the USSR” and became popular there. On the both sides of the Iron Curtain, the enthusiasm and disappointments of 1968 transformed philosophy, political thought, literature and cinema of the subsequent era. The best-known French philosophers, Italian film-makers, American politicians, Polish dissidents all came from the generation that shaped 1968 and were shaped by this historical moment. After 1968, the crucial concepts of human existence – sex, power, gender, class, race – have never been the same, and their tectonic shifts also occurred across the Iron Curtain. In this workshop, we will explore various dimensions of this transnational change. We will complement case studies from countries of Western, Central and Eastern European with broader speculations on issues of history and memory, generations and revolutions, subjectivity and power.
Syllabus
Programme

SUMMER SCHOOL- MEMORY, VISUALITY, AND MOBILITY (19-30 June 2017)

BABE & OHMA 2017 Oral History Summer Seminar

MEMORY, VISUALITY, AND MOBILITY

June 19-30, 2017 Florence, Italy

salviati
Babe project, headed by Professor Luisa Passerini, and the Oral History Master of Arts Program at Columbia University, directed by Professor Mary Marshall Clark, worked together in order to define the programme of the Summer School ‘Memory, Visuality and Mobility’ which will be held at the European University Institute from June 19 to June 30. The two-week long intensive seminar will host multiple and various interventions in the field of contemporary migrations and diasporas: the course will draw on case studies and materials from the ongoing Bodies Across Borders research project.
From a theoretical point of view, the summer school is consecrated to the study of the connection between visuality, memory and mobility. This innovative perspective is at the core of the Babe project and its research paths in the field of cultural history. During the summer school, Babe team will be involved in giving lectures on visual memory, cultural archives and mobile memories, colonial and postcolonial visual memories, oral and visual memory in/for teaching.
Potential participants can find more information (applications, costs and requirements) here  

Oral and Visual Memories of People Carrying the Status of ‘Migrant’ in Italy and the Netherlands: Ethical, Terminological and Cultural Reflections – Wednesday 26 October, European University Institute, Florence

Lecture in the framework of the History Departmental Colloquium, European University Institute, Florence – Wednesday 26 October at 15:30 
This presentation is based on the ongoing European Research Council Project “Bodies Across Borders: Oral and Visual Memory in Europe and Beyond”, located at the Department of History and Civilization, European University Institute, Florence.
The project combines various directions of research (cultural history, cultural geography, memory studies, as well as gender and visual studies) concerning the construction of emerging forms of European memory and identity. Among those is the survey and analysis of products by visual artists on working on topics of migration to Europe. Selected works are presented to migrants in the course of individual and collective interviews. The interviewees are then requested to produce in their turn visual images of their migration itineraries, through the media of photography, drawing and video.
The resulting documentation of oral and visual memories involves numerous scientific and ethical problems, among which the question of terminology regarding the process of mobility towards Europe and the typification of heterogeneous groups of people as “migrants” and “refugees.” The critical assessment of these problems is the intellectual contribution that we as researchers can give to the present European situation, labelled by the media as “the migrant crisis”. The BABE research project being midway, it will be presented as work-in-progress, evidencing the problems of collection and interpretation as well as of archiving and disseminating our results
For further information please refer to seminar and events

BABE-HAEU conjunct session at the UDPN École d’été, 14 July 2016

The BABE-HAEU conjunct session is part of the École d’été  organized by the network “Usages des Patrimoines Numérisés” (Université Sorbonne Paris Cité) taking place at Villa Finaly, Florence, 11-15 July 2016.
Methodological challenges raised by the archival processing of visual and oral sources collected during BABE Project fieldworks will be discussed within the larger framework of the digitization projects currently carried out by the Historical Archives of the European Union.
The HAEU will host all the BABE material once the collection will be completed.

Session Programme:

Thursday 14
14:00 – 17:00 The Historical Archives of the European Union-Villa Salviati
Presentation of the BABE Research Project “Bodies Across Borders : Oral and Visual Memory in Europe and Beyond”
Liliana Ellena and Leslie Hernández-Nova (European University Institute, Department of History and Civilization, Florence)
The Historical Archives of the European Union
Dieter Schlenker (HAEU Director, European University Institute, Florence)
15:30 – 15:45 Afternoon Break
Visit of the Historical Archives of the European Union  
Full UDPN École d’été Programme
“Usages des Patrimoines Numérisés”
   

19-20 May 2016, Lectures on Memory and Visuality, Florence

 
The intersection between visuality, memory and politics is a crucial field of inquiry for the BABE research project, calling attention to the historical processes through which practices of mobility and border regulation have reconfigured the European space after 1989.
The two invited lecturers aim to enlarge our methodological perspective by discussing research fields and approaches based on colonial and postcolonial India. They will explore how visual meanings were generated and transformed in relation to the geopolitics of empire and to the national self-making of post-colonial India, and will shed light on the cultural and institutional relations shaping political spaces. Furthermore, their contributions will discuss how protocols of personal identification as well as the visualization of material/imagined borders reflect multiple temporalities.
Thursday 19 May
Film in the Archive of Mediatized Politics 
by Professor Ravi Vasudevan (Centre for the Study of Developing Societies, New Delhi)
Presentation
Friday 20 May
The ‘Look’ of the Document: The Colonial Subject in Transit, British India, 1882-1921
by Professor Radhika Singha (Centre for Historical Studies, Jawaharlal Nehru University, New Delhi)
Presentation
Programme

10-11 March, Cultural Memory and Oral History in Global Perspective

Joint Initiative of Professors Alexander Etkind and Luisa Passerini.

This workshop aims to explore the connections between various forms of memory and their recording, transmission and preservation through different media, as these have been developing in the last fifty years across the globe. Particular relevance will be given to exchanges and osmosis between cultural and geopolitical areas as well as fields of knowledge and the arts.

Programme

5 June 2015, Practices Across Borders. Visuality, Aesthetics, Memory

05 June – 9:30 to 17:30

The workshop is aimed to discuss methodological approaches to the intersection between memory and mobility in visual works and contemporary artistic practices as one of the key concerns of the Bodies across Borders. Oral and Visual Memory in Europe and Beyond (BABE) Research Project. Invited researchers from different disciplinary backgrounds will offer the opportunity to focus on transversal issues such as: the relationship between different forms of visuality; connections and discontinuities between social memory processes and aesthetics; social practices involved in processes of production, circulation, exhibition, and reception of artistic works. In each session two invited scholars will present papers followed by responses from members of the Project Research team
Sala Triaria, Villa Schifanoia
Via Giovanni Boccaccio, 121, 50133 Firenze, Italy
MORNING SESSION : AESTHETIC TRACES OF TEMPORAL AND SPATIAL TRANSITS
Chair: Graziella Bonansea (BABE Research Associate, EUI)
Pascal Dubourg Glatigny (CNRS, Centre Alexandre Koyré, Paris): Déplacements et restrictions du champ d’intervention artistique au rythme des migrations (abstract)
Chiara Bertola (Senior Curator, Fondazione Querini Stampalia, Venezia): Conserver le futur: temporalités et travail dans le contemporain
AFTERNOON SESSION : ARCHIVAL AND MAPPING IMPULSES IN ARTISTIC AND VISUAL PRACTICES
Chair: Liliana Ellena (BABE Research Associate, EUI)
Giovanna Zapperi (École Nationale Supérieure d’Art, Bourges): The Archive as a Contact Zone
Simon Harvey (Trondheim Academy of Fine Arts, Trondheim): Mapping Transitions: Counter-Cartographical Responses to Flow and Fixity in a World of Mobility (abstract)
Programme